 |
HORNE, RICHARD HENRY, or HENGIST (1803-1884), poet,
|
was born at Edmonton, near London, on 1 January 1803. He was originally given
the names of Richard Henry, but changed his second name to Hengist after meeting
a Mr Hengist in Australia who was a good friend to him. His father, a man of
means, died early. Horne was sent to a school at Edmonton and then to Sandhurst,
as he was designed for the army. He appears to have had as little sense of
discipline as A. L.
Gordon (q.v.) showed at the Royal Military College, Woolwich, and like him
was asked to leave. It appears that he caricatured the headmaster, and took part
in a rebellion. He began writing while still in his teens, but in 1825 went as a
midshipman to the Mexican expedition, was taken prisoner, joined the Mexican
service, travelled in the United States and Canada, returned to England in 1827,
and took up literature as a profession. He contributed to magazines and wrote
two or three now forgotten books, but in 1837 published two poetical dramas
showing ability, Cosmo de Medici and The Death of Marlowe. Another
drama in blank verse, Gregory VII, appeared in 1840, and in 1841 he
published The History of Napoleon in prose. About the end of 1840 Horne
was given employment as a sub-commissioner in connexion with the royal
commission on the employment of children in mines and manufactures. This
commission finished its labours at the beginning of 1843, and in the same year
Horne published his epic poem, Orion, at the price of one farthing, of
which three editions were published at that price, and three more at increased
prices before the end of the year. Three other editions were published before
the end of his life, but the poet never received a penny for himself from this
work. He did, however, succeed in bringing it before the public, and it was
highly praised by good judges of poetry. A New Spirit of the Age, edited
by R. H. Horne, was largely written by himself, though he had some assistance
from Elizabeth Barrett and Robert Bell. Other works followed including a novel,
The Dreamer and the Worker, which appeared in 1851, and Horne then
decided to try his fortunes at the gold-diggings in Australia.
Horne left England in June 1852 and, sailing on the same vessel with his
friend William Howitt [refer to entry for Alfred
William Howitt], arrived at Melbourne in September. Almost at once he was
given a position as commander of a gold escort. He was made a commissioner of
crown lands for the gold fields, 1853-4, and a territorial magistrate in 1855.
It is usually stated that he became a commissioner of the Yan Yean water-supply
either in 1858 or 1859, but as he responded for the commissioners at the dinner
held on the opening day 31 December 1857, it is clear that he was given the
position in that year or earlier. It is unfortunate that his lively
Australian Autobiography, prefixed to his Australian Facts and
Prospects published in 1859, abruptly breaks off about 1854-5. It is not
clear what positions he held after 1859, but apparently he remained in
government employ for another 10 years as in 1869, "dissatisfied with the
failure of the Victorian government to fulfil what he conceived to be its
obligations to him", he returned to England. While in Australia Horne brought
out an Australian edition of Orion (1854), and in 1864 published his
lyrical drama Prometheus the Fire-bringer. Another edition, printed in
Australia, came out in 1866. In this year was also published The South Sea
Sisters, a Lyric Masque, for which Charles Edward Horsley, then living in
Melbourne, wrote the music. It was sung at the opening of the intercolonial
exhibition held in 1866. During the 15 years after his return to England Horne
published several books, but the only one which aroused much interest he did not
write, the Letters of Elizabeth Barrett Browning to Richard Hengist
Horne. He was given a civil list pension of £50 a year in 1874, which was
increased to £100 in 1880. He died at Margate on 13 March 1884 leaving behind
him much unpublished work. Of his published volumes only the more important have
been mentioned here. A more complete list will be found in the British museum
catalogue. Horne married a Miss Foggo in 1847, but husband and wife soon parted.
Horne was below medium height, strong and athletic, a fine swimmer. He had a
too active brain and a too fluent pen, and never realized that even a quarter
might be greater than the whole. But, however little read it may be,
Orion remains one of the finest poems of its kind in English literature,
and his Death of Marlowe is a masterpiece in little, far superior to most
of the dropsical dramas written by other poets of his time. He did very little
writing in Australia, but A.
Patchett Martin (q.v.), in an article on Horne in the Academy (29
March 1884), spoke of the "impetus he gave to Australian literature during his
17 years of colonial life". This may have been so, though it is now difficult to
find the evidence. Literature was certainly very much alive in Melbourne about
the time of Horne's departure, and it is possible that this was more due to his
influence than has been hitherto realized.
|